Australia Artists E-K

  • # 24508

    HEYWARD, Michael

    Bill Henson

    Melbourne : National Gallery of Victoria, 2017. Quarto, boards in dustjacket, pp. 75, illustrated. New copy. ‘His powerful and edgy images approach the painterly and the cinematic, bringing formal and classical qualities to the gritty, casual dramas of the everyday. This publication presents a selection of images, compiled by the artist, that range from sublime …

  • # 24507

    HENSON, Bill (1955 -)

    The light fades but the gods remain (signed deluxe edition)

    Melbourne : Thames & Hudson in association with the Monash Gallery of Art, 2019. Quarto, lettered cloth, illustrated dustjacket, pp. 166, extensively illustrated. The deluxe edition, signed by Bill Henson on the half-title, housed in a lettered cloth slipcase. As new copy. A standard edition, unsigned, without slipcase, was also issued. “Over thirty years have …

  • # 24485

    HENSON, Bill (1955 - ); GREGG, Simon

    Bill Henson : dark desire

    Sale : Gippsland Art Gallery, 2014. Quarto, illustrated gatefold wrappers, pp. 76, fully illustrated with Henson’s photographs. Essay by Simon Gregg. Limited to 500 copies. An as new copy. Catalogue of an exhibition held at Gippsland Art Gallery, Sale, Victoria, 29 November 2014 to 1 February 2015. “‘Dark Desire’ explores Henson’s enduring fascination with darkness …

  • # 24482

    HENSON, Bill (1955 - ); GREGG, Simon

    Bill Henson : dark desire

    Sale : Gippsland Art Gallery, 2014. Quarto, illustrated gatefold wrappers, pp. 76, fully illustrated with Henson’s photographs. Essay by Simon Gregg. Limited to 500 copies. An as new copy. Catalogue of an exhibition held at Gippsland Art Gallery, Sale, Victoria, 29 November 2014 to 1 February 2015. “‘Dark Desire’ explores Henson’s enduring fascination with darkness …

  • # 24357

    [FEINT, Adrian]. Mullins, John Lane

    Bookplates by Adrian Feint. (Presentation copy for Sydney Ure Smith)

    With an introduction by the Honourable John Lane Mullins. Sydney : Palmtree Press, 1928. Octavo, cloth over papered boards with title label (the glue has caused discolouration, as in all copies), unpaginated, introduction by Mullins, 21 original woodcut bookplates tipped in, including those for Margaret and William Preston, Thea Proctor, Dorothea Mackellar, Kenneth Macqueen, John …

  • # 24300

    GREENAWAY, Ronald

    Anne Graham paintings : a critical evaluation by Ronald Greenaway (signed copy)

    Melbourne : Aldine Press, 1969. Small quarto, illustrated wrappers (lightly worn), pp. 24, illustrated. Photography by Mark Strizic and others. Signed by the artist and dated 1969 on the title page.

  • # 24419

    ELLIS, Rennie (1940 - 2003)

    Life’s a ball

    Melbourne : Currey O’Neil, 1985. Quarto, illustrated wrappers, pp. 96, a very good copy. Ellis’ candid photographs of partying in the hedonistic 80s in Australia, including nightclubs, house parties, beach parties and wherever the champagne was flowing.

  • # 24336

    ELLIS, Rennie; WARD, Andrew

    Railway stations of Australia

    Photography by Rennie Ellis. Text by Andrew Ward. Melbourne : Macmillan, 1982. Quarto, cloth in dustjacket (light foxing), neat inscription to endpaper, pp. x; 86.  

  • # 24423

    ELLIS, Rennie

    The all new Australian graffiti

    Melbourne : Sun Books, 1985. Small quarto, pictorial wrappers, [144] pp, all illustrated, previous owner’s name to half title page, minor stain lower edge. Scarce. The third volume in Ellis’ series on Australian graffiti with hundreds of examples of street graffiti in the 1980s.

  • # 24422

    ELLIS, Rennie (1940 - 2003)

    Life’s still a beach

    Melbourne : Hardie Grant Publishing, 1998. First edition. Quarto, illustrated gatefold wrappers, gift inscription to half title, pp. 96, a very good copy. Ellis returns to the sun and sand as he captures the bronzed Aussie body draped on shores from St Kilda to Southport.

  • # 24421

    ELLIS, Rennie (1940 - 2003)

    Life’s a beach

    Melbourne : Currey O’Neil, 1983. First edition. Quarto, illustrated wrappers, gift inscription to half title, unpaginated, a very good copy. Ellis’ candid photographs of Australian bodies on display in the hot summer sun of the eighties.

  • # 24420

    ELLIS, Rennie (1940 - 2003)

    Life’s a parade

    Melbourne : Currey O’Neil, 1986. Quarto, illustrated wrappers (lightly creased), pp. 96, a very good copy. Ellis’ candid photographs of fashionistas in the hedonistic 80s in Australia, including catwalks, runways, parties, behind the scenes and scenes of the behinds.

  • # 24410

    LYNN, Victoria (curator); PICCININI, Patricia; HESTER, Joy

    Patricia Piccinini & Joy Hester : through love

    Melbourne : TarraWarra Museum of Art, November 2018. Quarto, pictorial laminated boards, illustrated endpapers, pp. 126, illustrated. New copy. Catalogue for an Exhibition held at TarraWarra Museum of Art from 24 November 2018 – 11 March 2019. ‘Love and intimacy are the focus of this major exhibition that pairs the work of globally renowned artist Patricia …

  • # 24401

    ELLIS, Rennie; TURNER, Ian

    Australian graffiti revisited

    Melbourne : Sun Books, 1975 (1980 reprint). Small quarto, pictorial wrappers, [124] pp, all illustrated, previous owner’s name to title page, foreword by Ian Turner. Scarce. The expanded second edition illustrated with hundreds of examples of street graffiti in the 1970s.

  • # 24400

    ELLIS, Rennie; TURNER, Ian

    Australian graffiti

    Melbourne : Sun Books, 1975. First edition. Small quarto, pictorial wrappers, [96] pp, all illustrated, foreword by Ian Turner, inscription to title page. Scarce.

  • # 24360

    ANDERSON, Peter.

    The artist’s books of Robert Jacks

    Bendigo : Bendigo Art Gallery, 2009. Octavo, printed wrappers, pp. 48, illustrated. Detailed and scholarly catalogue on the artists books of Robert Jacks, spanning from the 1960s – 2000s