# 24673

Hayes, William (1735-1802)

Portraits of rare and curious birds, with their descriptions from the Menagery of Osterley Park, in the county of Middlesex.

$12,000.00 AUD

London : printed by W. Bulmer and Co., Shakespeare Printing Office; and published for the author by R. Faulder, 1794 [ – 1799]. Quarto, contemporary full calf (edges worn), spine with contrasting morocco title label (chipped at head and foot, rubbed), bookplate for Frances Hubert Barclay to pastedown, front hinge weak, two volumes in one, pp [6]; 100 fine handcoloured engraved plates (a number signed by Hayes’ family members), lacking the engraved view of the menagerie (as commonly found), bound without the two preliminary leaves to volume two (ESTC: “2 out of 3 copies don’t have them”), occasional sparse foxing and a few light stains.

Hayes’ Portraits of rare and curious birds is the product of a commission by Robert Child and his wife of their extensive collection housed in aviaries and in open spaces in Osterley Park, west London. Due to the untimely death of his patrons, Hayes completed his work with the aid of his wife, Anne, and his six children Charles, William, Annette, Emily, Maria and Matilda, who hand coloured the thousands of engravings required for publication, in a number of instances individually signing their work.

The Childs’ collection included some truly exotic species, acquired through the family’s links to the East India Company, of which Robert’s uncle (also named Robert) was Chairman. The plates illustrate vultures from Africa, pheasants, quail and ducks from China, macaws from Brazil and parakeets from India. Sourced from farther afield are other rare specimens including a Black-Capped Lory and Great Red-Crested Cockatoo from New Guinea, the Blue-Headed Turtle from the South Sea Islands, and the Blue-Bellied Parrot and Nonpareil Parrot from Botany Bay, New Holland.

“One of the most famous, early coloured illustrations of ornithology” (Wood). “Hayes was the first author systematically to record a single private collection of live birds; such a project was not attempted again until 1846” (Jackson, Bird Etchings, p.135).

Nissen IVB 422; Wood p. 381