Graphics
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# 50207
BLACKMAN, Charles (1928 - 2018)
Country breakfast circa 1974
Screenprint, 47 x 37 cm (image); 58 x 45 cm (sheet), not titled or editioned (the edition was 100 copies) Blackman studio stamp lower right, a fine example, unframed. A fine Blackman screenprint of the bounty of a breakfast table. Provenance: The estate of the late Barbara Blackman (1928 – 2024) The estate of the …
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# 50188
BLACKMAN, Charles (1928 - 2018)
My Mother’s Garden – Colette
Screenprint, 53 x 35 cm (image); 56.5 x 39 cm (sheet), not titled or editioned (the published edition was 75 copies), signed by Blackman in pencil lower right, two very small tears to left margin, unframed. A fine Blackman screenprint inspired from his ‘Colette’ series, a series of works from the late 1970s inspired by Claudine …
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# 50187
BLACKMAN, Charles (1928 - 2018)
Paddington Cricket
Screenprint, 42 x 35 cm (image); 58 x 45 cm (sheet), titled lower centre and editioned lower left 67/100, signed by Blackman in pencil lower right, a fine example, unframed. A fine Blackman screenprint of two children and their dog playing cricket in Paddington streets, Sydney. Provenance: The estate of the late Barbara Blackman (1928 …
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# 50185
BLACKMAN, Charles (1928 - 2018)
Sleeping beauty
Etching, 24 x 24 cm (plate line); 60 x 40 cm (sheet), edition A/P (artist’s proof, the published edition was 25 copies), signed by Blackman lower right, blind stamp for Port Jackson Press lower right, unframed. A fine, lyrical Blackman etching printed in colour. Provenance: The estate of the late Barbara Blackman (1928 – 2024) …
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# 50182
BLACKMAN, Charles (1928 - 2018)
Titania as Bride
Etching, 19.5 x 15 cm (plate line); 40 x 30 cm (sheet), not titled or editioned (artist’s proof, the published edition was 60 copies), signed by Blackman lower right, unframed. A fine, lyrical Blackman etching printed in colour. Titania is the powerful, strong-willed Queen of the Fairies and wife of King Oberon in Shakespeare’s A …
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# 50181
BLACKMAN, Charles (1928 - 2018)
Home work
Screenprint, 48 x 30 cm (image); 58 x 45.5 cm (sheet), titled lower centre and editioned lower left 11/100, signed by Blackman in pencil lower right, a fine example, unframed. A fine Blackman screenprint of a girl sitting at home facing her home work, her cat keeping her company. Provenance: The estate of the late …
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# 50180
BLACKMAN, Charles (1928 - 2018)
Tumbling
Etching, 14.5 x 14.5 cm (plate line, circular); 22 x 30 cm (sheet), not titled or editioned (the published edition was 30 copies), signed with Blackman studio stamp lower centre, unframed. A fine Blackman etching printed in colour. Provenance: The estate of the late Barbara Blackman (1928 – 2024) The estate of the late Felicity …
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# 50179
BLACKMAN, Charles (1928 - 2018)
Orpheus
Etching and aquatint, 14.5 x 19.5 cm (plate line); 50 x 40 cm (sheet), untitled, editioned A/P lower left, signed with Blackman studio stamp lower right, a small spot of foxing in the margin, unframed. A fine Blackman etching of the Greek demigod Orpheus with his lyre. Provenance: The estate of the late Barbara Blackman …
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# 50178
BLACKMAN, Charles (1928 - 2018)
Vase and face
Etching, 25 x 19.5 cm (plate line); 40 x 40 cm (sheet), titled lower centre, edition W/P (working proof, the published edition was 80 copies), signed with Blackman studio stamp lower right, a couple of small spots of foxing to outer margins, unframed. A fine Blackman etching printed in two colours. Provenance: The estate of …
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# 50176
BLACKMAN, Charles (1928 - 2018)
Girl with flowers
Etching and aquatint, 24 x 24 cm (plate line, circular); 35 x 30 cm (sheet), not titled or editioned (artist’s proof), signed with Blackman studio stamp lower right, a few inky fingermarks, printer’s colour notes in pencil lower margin, unframed. Provenance: The estate of the late Barbara Blackman (1928 – 2024) The estate of …
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# 50154
[ROCK BROTHERS & PAYNE]
[The Rose Almanack. Souvenir for 1860]
[London : Rock Brothers & Payne (printed in Hamburg by C. Adler), 1859]. Chromolithographed and engraved folding pictorial ephemeron, die-cut in the shape of a rose; diameter when opened 240 mm, folding to 120 x 70 mm; the two end panels of the almanac have discreet old tape repairs where the edges had previously separated …
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# 50138
TERRY, Frederick Charles, (1825 - 1869)
View of East Maitland
Steel engraving, vignette approximately 110 x 150 mm, on sheet 205 x 275 mm, uncoloured as issued, a couple of small spots of foxing. Published in the volume Landscape scenery : illustrating Sydney, and Port Jackson, New South Wales, Sydney : Sands & Kenny ; London : Sands & Son, 1855. (Ferguson 15440a).
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# 50136
TERRY, F.C. [Frederic Casemero] (artist), 1825-1869; SANDS & KENNY
Government House from the Botanical Gardens. [1853]
Sydney & Melbourne: Sands & Kenny, [c.1867]. Illustrated letter paper, sheet 252 x 200 mm (folded in half), paper watermarked ‘Sands & Kenny’, steel engraving in black ink 110 x 144 mm (irregular), signed in image ‘Terry, del., 1853’; second side with wet stamp of Sydney publisher and stationer J.R. Clarke; the letter paper is unused …
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# 50122
OLSEN, John; McGREGOR, Ken; and MAKIN, Jeffrey.
Teeming with Life. John Olsen : his complete graphics 1957 – 2023
Melbourne : Badger Editions, 2023. Third edition (the definitive, revised edition). Folio, black laminated boards with Olsen image to front, illustrated endpapers, pp. 320, illustrated in colour, a fine copy. Catalogue raisonne of Olsen’s prodigious graphic output. The third edition, revised, the final and most comprehensive survey of Olsen’s graphic output, covering his entire oeuvre. …
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# 43015
FEMBO, Christoph (editor and publisher)
Abbildungen der Bewohner der Erde,
aus den besten Schriften zusammengestellt … … Nürnberg : Christoph Fembo, 1816. Broadsheet, 610 x 500 mm, copper engraving with original hand colouring; light creasing, some short edge tears and a few expert repairs. A spectacular early nineteenth-century coloured engraving illustrating the traditional costume of peoples of the world. The sixty-six full-length portraits are arranged …
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# 34804
TULLOCH, David
[GOLD RUSH] Ham’s five views of the gold fields of Mount Alexander and Ballarat, in the Colony of Victoria,
drawn on the spot by D. Tulloch, engraved and published by Thomas Ham. Melbourne : Thomas Ham, 1852. Oblong folio, original cloth-backed pictorial stiff paper wrappers, the upper wrapper with six vignettes of goldfields scenes by Tulloch (stained and creased with short tears, old paper reinforcement lower wrapper), title page and five tinted lithographed plates, …














![[The Rose Almanack. Souvenir for 1860]](https://dsfb-wp.s3.ap-southeast-1.amazonaws.com/app/uploads/2021/12/03094723/2021_DSFB_8725-300x300.jpg)

![Government House from the Botanical Gardens. [1853]](https://dsfb-wp.s3.ap-southeast-1.amazonaws.com/app/uploads/2017/07/27135847/2017_DSFB_3024-300x300.jpg)


![[GOLD RUSH] Ham’s five views of the gold fields of Mount Alexander and Ballarat, in the Colony of Victoria,](https://dsfb-wp.s3.ap-southeast-1.amazonaws.com/app/uploads/2022/05/07134049/2022_DSFB_2774-300x300.jpg)